Wednesday 8 March 2017



mollie langston



How does Hollywood construct Representations of mental illness?

"Mental Illness is frequently depicted in mass media, particularly the entertainment, media and film, these depictions tend to be inaccurate and unfavourable” Otto F. Wahl).  My investigation will be looking at the two texts 'Psycho' (1960) and 'Black Swan' (2010). I will analyse these two texts to justify Otto F. Wahl's statement and investigate how Hollywood has constructed the representation of mental illness throughout film.
I will investigate the validity of the statement Otto made by analysing how mental illness is represented in different genres in Hollywood for example, “1horror genre is full of antagonists who are  presented or described as mentally ill”[18]. I will then also analyse how hollywood has negatively represented mental illness in films and stigmatised the behaviours of mental illness, a quote from psychiatric times it is said that “Negative stereotypes of patients with mental illness have a long history in Hollywood” [19]. Lastly, i will investigate how mis-representations of mental illness in hollywood affect the way people see and feel about mental illness, psychiatric times also said “Inaccurate portrayals have an important and underestimated negative effect on the perception of people with mental disorders’ [19].


In addition to my research i will also apply the 'The Hypodermic Model' which was made in the early 1930's. I will specifically base this on the shower scene in 'Psycho' and the weight concern scene of 'Black Swan'. I will do this to evaluate the idea that certain stigma and behaviours are injected into the audience to create an inaccurate view of mental illness in Hollywood. Otto F. Wahl also states that "media images of mental illness support the belief that media presentation about mental illness…can have significant affects on attitudes towards mental illness and treatment."

Mental illness has been depicted in film for decades, over the years the way mental health is represented has changed but also still carries many of the stigma it has always had. Many horror and thrillers in the mid 1900's represented mental health in a negative light, which overall injected the audience with a negative view on mental health and deemed people who struggle with it as dangerous. [3]. Mental illness in horror frequently represents people with mental health as violent and dangerous [2] especially in slasher horrors such as ‘Psycho’ and ‘Halloween’. Many horror films in the 60's and 70's used metal illness such as psychosis and schizophrenia as a storyline for killers behaviour and actions, such as the 1960s ‘Psycho’ which depicts multiple mental illnesses in a negative and violent light, this then implants the stereotype that mental illness is dangerous and unpredictable into the audiences minds, especially in the mid 1900's as mental illness was still very uncharted and taboo to people back thins it was not very well researched or educated to people. Alfred Hitchcock's Psycho (1960) uses psychosis and schizophrenia as an identity for Norman Bates, who is a homicidal manic, one scene in the film is legendary in film,the shower scene, in which the antagonist murders a girl in a shower in a violent and bloody way. This mislead people to think of mental health negatively as he slaughters a young woman. However, many people who suffer with mental health issues are no more likely to hurt you than the average person is [3]. The stigma and representation has not got better over the decades, many illnesses are made to make people seem dangerous or uncontrollable [5]. Statistically, 0.005% of people with mental illness are likely to harm or kill someone [16].Horror isn't the only genre that stigmatises mental health, mental health is represented in a poor light in many genres, for example, comedies use mental illness as a joke and something to make light off, romance romanticises mental illness as a weak person who once they find someone everything is better such as the silver linings playbook, crime uses the mentally ill as criminals, for example Silents Of The Lambs shows people with mental illness as very sick and twisted and drama represents mental illness as a dark story that needs to have a big back story such as Donnie Darko, because it is stigmatised that you only have mental illness if something terrible has happened to you.

Entertainment,media and films depict mental illness in multiple negative manners, even with better understanding of the illness, its effects and the causes of the illness[6].  Black swan (2010) uses multiple mental illnesses in there protagonist, in the film she suffers from, Eating Disorders, Bipolar, psychosis and Schizophrenia. One scene in the film, the protagonist hallucinates the murder of her dance rival. Black swan was praised for its correct use of symptoms for psychosis but poorly represented schizophrenia [6]. In the film, the protagonist is shown taking drugs and drinking such as the scene where the protagonist and her friends take ecstasy in a rave that she attends after she starts to show symptoms of multiple illnesses, which adds a whole new stigma to the representation of the character as many people assume that the mentally ill use drugs and alcohol as a coping mechanism, many people also link drugs to crime and criminals, which does not help the stigma of violence and danger that is already place on mental illness. The black Swan depicts mental illness in a dark and pessimistic light, many of the scenes are violent and unrealistic, such as scenes of manipulation such as the scene in which her mother discovers the harm she has inflicted on herself, she lies repeatedly about how she got them and what actually happened and drug use such as pills and alcohol , which overall affect the way people see the mental illness [13]. Black Swan also includes Eating Disorders, which is stereotypical of a dancer, as it is known to be a big problem in the dance world. Some people disagree with the way the film represents this as it is seen as gloomy and represents ballet as a dark and vicious sport [15].

The negative representation, stigma and stereotyping of mental illness in Hollywood affect perceptions towards mental illness. The constant negative and uneducated portrayal of mental illness cans seriously influence peoples views towards mental illness in a negative way [13]. Stephen Hinshaw, a professor of psychology at the University of California–Berkeley said "The worst stereotypes come out in such depictions: mentally ill individuals as incompetent, dangerous, slovenly, undeserving, The portrayals serve to distance 'them' from the rest of 'us."[9] The isolation that we create to mental illness, damagers the sufferer even more than they already are, it makes them feel different from everyone else. The way people and the media go around mental illness is all wrong, instead of educating and supporting those suffering, they depict them as violent and dangerous, implanting fear into peoples mine and adding stigma to something that is nothing to be ashamed of. Because mental illness is so stigmatised and many people are uneducated on mental illness and the effects, causes and symptoms of illnesses, people feel uncomfortable around anything that isn't the norm, such as if someone was talking to themselves, they would be seen as weird and possibly dangerous, because that's how we have been wired to thing, even though Most people who have schizophrenia are not high-risk or dangerous [3]. Films that stereotype mental illness as feverishly violent and then should be stigmatised and feared [2]. The Black Swan glamorises mental illness such as Eating Disorders for example when the protagonist partakes in bulimic behaviours, it lives up to the commonly represented skinny pretty girl tragically leaning over a toilet, it does not depict the real true affects of bulimia, the scene also gives the impression that you have to be skinny and anorexic to be involved in ballet which is a common stereotype of the art, this could easily influence young girls who want to be involved in ballet to follow that path as they think its the only way they can get involved.

 Psycho also influences the way people see mental illness as the main character and killer in the film is seen as a deranged and violent serial killer [10]. Even though the film never mentions the mental illness itself, it shows the over dramatised symptoms of the illness, which then when the audience sees them really happening, instantly connects the dots to violence and murder, Norman is also shown to have family issues with his mother, which is shown in the scene when he dresses as hid dead mother [8], this then pushes the audience to think that people with mental illness are weird and makes them feel uncomfortable to be around.

through my research i have come to the conclusion that, although mental illness is better understood, many forms of media still manipulate the stigma that has been forced onto the subject to use there advantage to represent characters as dangerous, unstable and violent. This depiction of mental illness influences the way people view mental illness and corrupts the way mental illness is understood, throughout the years, the media has injected its audience with false representations of mental illness and therefore, represents the mentally ill in a negative and false way.











































mollie langston



Bibliography 

1.      http://brainblogger.com/2006/04/28/anti-stigmatization-movies-stigmatize-mentally-ill-as-violent-and-dangerous/ 

2.      http://jacksonville.com/interact/blog/uf_psychology_students/2009-12-18/the_stigmatization_of_mental_illness_in_movies_and_t 

3.      http://national.deseretnews.com/article/1316/how-tv-is-changing-perceptions-of-mental-disorders.html 

4.      http://www.pbs.org/wgbh/amex/nash/peopleevents/e_film.html 


6.      http://abcnews.go.com/Health/Movies/black-swan-psychiatrists-diagnose-natalie-portmans-portrayal-psychosis/story?id=12436873 

7.      http://www.priory.com/psych/psycinema.htm :necessary parts

8.      http://everydayfeminism.com/2012/12/mental-illness-stigma/ 


10.  http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2802369/ 


12.  https://core.ac.uk/download/pdf/10683817.pdf 

13.  http://mindsmattermagazine.com/media-entertainment-and-the-representation-of-mental-health/ (

14.  http://academicworks.cuny.edu/cgi/viewcontent.cgi?article=1133&context=cc_etds_theseshttp://www.nytimes.com/2011/01/09/fashion/09swan.html?_r=0 


16.  https://books.google.co.uk/books

17.  id=bP0bFFSijaAC&pg=PA442&lpg=PA442&dq=how+does+the+black+swan+stereotype+mental+health&source=bl&ots=ZOoXV3g8D3&sig=cGOY_dcf8RjPrsOsBTrk8twIctk&hl=en&sa=X&ved=0ahUKEwjryu3YhZfPAhVCVhoKHSaRCWE4ChDoAQg9MAU#v=onepage&q=how%20does%20the%20black%20swan%20stereotype%20mental%20health&f=false 

18.  http:/www.academia.ed9388210Evil_or_Misunderstood_Depictions_of_Mental_Illness_in_Horror_Films

19.  http://www.psychiatrictimes.com/articles/stigma-continues-hollywood

Sunday 26 February 2017

Film script

A sign is shown which reads;
“the blue hole
The blue hole was discovered in the late 1950s and is rumoured to have no bottom, under no circumstances should people swim in the blue hole due to the dangerous nature of the pool”
Under the sign is a memorial for a boy who drowned in the pool.

Cut

The blue sapphire lake sparks in the soon, birds chirping in the distance, the sun high in the sky, reflecting off the lake. On the bank is a pile of clothes folded up with a note on top, the note slowly blows in the wind.

Cut
The sound of a car pulling up in the distance, and a door slamming, the sound of footsteps getting closer.

Cut

Violet is running towards the lake, the wind blowing her hair, as she runs past the memorial the sun reflects off the metal of it and shines.

Cut

Violet breaks through a set of deep green trees that surround the lake. She runs towards the pool

Cut

The note on top of the clothes blows in the breeze

Cut

Violet sees the note and run towards it, she drops to her knees by the clothes and picks up the note with shaking hands

Cut
The note gets slowly unfolded

Narration by finch;
“violet, if you’re reading this then you found my clues and found me, I’m sorry to do this to you, I love you, but we both knew it was going to happen, I know you’re probably crying right now but don’t, remember all the fun we had on our wondering project, congrats, you completed it, make sure to hand it in”

Cut

Violet is staring down at the note with tears running down her face

Finchs narration  continues

“hey with any look this hole really leads to a portal like the rumours said, please don’t blame yourself for this, for my last wish I’d like for you to live every moment to the maximum and remember you deserve to be loved and it wasn’t your fault
Love finch”

Cut

The sun slowly fades into the hills in the distance, the sound of crickets chirping fades in. Violet is sitting with her knees to her chest staring at the pool, the moon starts to reflect off the lake with small ripples distorting the picture

Fade in

Police sirens are heard in the distance slowly getting louder

Violets phone starts to ring


Saturday 12 November 2016

How far does the impact of the films you have studied for this topic depend on distinctive uses of film techniques? [35] 

City of God, directed by Fernando Meirelles uses distinctive cinematography to show the uncertainty of living in the City of God. For example, in the opening scene of City of God, the scene starts with complete darkness and then flashes to an extreme close up of a knife being sharped on a stone. The use of this can suggest to the audience that everyone in the City is living on a knifes edge, and everything is uncertain. Knifes have connotations of violence and weapons,which are a big part of the film, and gives the audience a first glimpse of what life is like in the city.The use of the fast editing could imply that life goes by like a blink of an eye in the City of God and peoples lives are short, due to violence. 
The Director also gives the film a sense of hopelessness. In the opening scene, a chicken is tied to a pole, this could suggest that everyone is caged into the city. The use of the cuts and shots of chickens being killed and plucked could imply that in the City of God you have no choice but the stand by and watch people like you get killed. When the chicken escapes it gets followed by a crowd of people, which could imply there is no escape from the City as when you try someone always brings you back. The director uses floor level tracking shots of the chicken when it escapes as it puts you into the position of the chicken, the low angles give the City a maze like affect which adds emphasis to the caged and trapped feeling that is placed on the scene. 
How far does the impact of the films you have studied for this topic depend on distinctive uses of film techniques? [35] 

City of God, directed by Fernando Meirelles uses distinctive cinematography to show the uncertainty of living in the City of God. For example, in the opening scene of City of God, the scene starts with complete darkness and then flashes to an extreme close up of a knife being sharped on a stone. The use of this can suggest to the audience that everyone in the City is living on a knifes edge, and everything is uncertain. Knifes have connotations of violence and weapons,which are a big part of the film, and gives the audience a first glimpse of what life is like in the city.The use of the fast editing could imply that life goes by like a blink of an eye in the City of God and peoples lives are short, due to violence. 
The Director also gives the film a sense of hopelessness. In the opening scene, a chicken is tied to a pole, this could suggest that everyone is caged into the city. The use of the cuts and shots of chickens being killed and plucked could imply that in the City of God you have no choice but the stand by and watch people like you get killed. When the chicken escapes it gets followed by a crowd of people, which could imply there is no escape from the City as when you try someone always brings you back. The director uses floor level tracking shots of the chicken when it escapes as it puts you into the position of the chicken, the low angles give the City a maze like affect which adds emphasis to the caged and trapped feeling that is placed on the scene. 

Monday 7 November 2016

does John Hughes' recurring theme of 'alienation' make him an auteur?   
   
projector: picture of John Hughes  
   
   
Speaker: John Hughes is most famously known for his dramatic comedies that with an optimistic approach show the life of teenagers and the life they live. The Breakfast club holds the legacy of being one of the best teen films ever made (13) with its insight into the teenagers home life and the emotions they bottle up. In a decade that revolved its films around films about killers and sex lusting teenagers it was good to have teenagers portrayed as just normal kids who have there own problems and change peoples outlook on them (16). Thought many of John Hughes films he uses the theme of alienation on his characters, he makes them outcasts and exploding with teenage angst, making all his characters relatable to the audience the films are targeted at, but they do not only appeal to the younger generation, his films have a certain element about them that draws every type of person in, maybe its because everyone routes for the underdog, which many of his characters are.  
An auteur is a person, usually a director, who was able to stamp his own identity upon a film despite the commercial pressures within the studio system, whose individual style and complete control over alelements of production give a film its personal and unique stamp. John Hughes fits all the criteria for this as all his films have running themes, such as misunderstanding, high school, stereotypes and neglect, he also uses one actress, Molly Ringwood, in many of his films. Hughes style is recognizable to anyone who has seen his films, and in the time that he made his films, put a fresh new look onto films of that decade, he did not falter to the pressure of demand and brought something that would envetually become some of the most iconic films of this century , shining new light onto the real life of teens and high school and the problems they face, educating every generation of what it is like, but with a witty and comical feel to it as well, many of his films have an element of romance in, with the underdog coming on top at the end, which supports his audience as most people feel like an underdog so they seem themselves and identify with his characters, helping boost his success by relating to his audience better. 
   
   
Projector: clip from The breakfast Club (1) [6 mins 13 secs]  
   
speaker: This scene is a major part of John Hughes legacy, in the scene you can clearly see and hear the teens talking about how they feel isolated and misjudged, how they follow the stereotype and live up to expectations to make other people happy. Brian, who is the stereotypically geeky kid, starts the scene by talking about when they start school on Monday, are they all still going to continue the friendship that they started that day or are they going to go back to there stereotypical groups they belong to. You can tell by all the characters faces, which are shown one by one as he asks the question that even though they all want to stay friends that they wont because high school is based on cliques and clicks that they all belong to (7), and for them to break the barrier that is built up by society would alienate them more than they all ready feel. John Hughes alienates his character in the film, which overall makes them more popular to his audience and more relatable, which in the end made his films the success they are, because people can relate and understand the character and use them as support and an ecape from there lifes, and get involved in someone elses life that is going through the same thing, and since John gave all his films a happy ending it gave hope to his audience.  
   
  
projector: pictures of sixteen candles(2) and Ferris Buellers day off(3)  
   
  
speaker: another two examples of teenage angst in Hughes films is Ferris Bueller and sixteen candles, in Ferris, the protagonist fakes illness and takes a legendary day off school, with his principle chasing after them(3). In sixteen candles, the protagonists family forgets its her birthday and she is granted 16 wishes to use by the end of the day, which starts to get messy (2). Both main characters hold a lot of angst and both have the theme of misunderstand from adults, Ferris is assumed to be a trouble maker and both parents in sixteen candles are absent, in a way both characters act out for attention.   
Not on was Hughes films entertaining, they also taught a generation, which were being brought up in a time of Hollywood being obsessed with sex drugs and crime, the clicks and cliques of adolescence, for example, The Breakfast Club taught us that no matter you group you belong to, you can find common ground with anyone, in the scene where they are all sitting down talking, each of the characters have problems going on, such as Brian tried to kill himself because he got a B on a test, another is being pressured into the jock lifestyle, one is getting beaten by his dad and another is bullied for how she dresses and acts, but at the end of the film they all make friends and hope to continue the friendship after school starts again on Saturday. He showed teens that its okay to be unusual and angsty, its part of growing up, and everyone is going through it, it also taught teens and parents alike that adults and youth don't see eye to eye, but its okay because it happens to everyone, such as in Ferris Bueller the principle is so convinced that Ferris is misbehaving that he devote his whole day to finding him out, he just assumes that he is up to no good.(14), Hughes wanted to help and support the vunerable and confused youth and show them that they aren't alone and in the end everything will be alright, at the end of his film the underdog always wins, like in Sixteen Candles, the underdog gets the boy, which normally its the other way around, which shows that he wants to break tradition and give his films a more realistic approach, Sixteen Candles ends with the protagonist getting picked up by the good looking boy that she likes, show that in the end things will turn out the way you want them, you just have to keep trying.   
   
  
   
  
Many of Hughes films are critically acclaimed for the realist picture of youth and angst that he shows, winning over the hearts of many, not only did it give him multiple film contracts with big companies, it also won him the title of the king of angst. A lot of his films star Molly Ringwood, who in an interview (11) talks about how unorthodox his approach to film was and how he helps different views and politics towards films and the characters he created. This approach cause a significant change to the social and cultural deportation of teens in cinema, in the current decade and decades to come. (10) All of Hughes films take place in a town he created, which almost helps link all the characters up, and shows that every type of person has problems. (6) He uses stereotypes and recurring themes to push forward to the audience that everything is not as it seems, that people who seem happy may not be, this is also empathized by the recurring them of neglectful parents and acting out for attention, this may of also taught parents that they need to pay more attention to thee kids. Many film makers started taking on Hughes style through out the years, for example, Clueless, which was released in the 90's, has many elements of Hughes films, such as sterotypes and underdogs, neglectful parents and high school, Hughes shaped a whole new genre of film which to this day is still popular.  
   
In conclusion, John Hughes is an Auteur as he uses reoccurring themes throughout his films and fits the criteria for an auteur, John puts a personalized stamp on his film, which is recognizable to anyone, he makes films in his own style and a passion for depicting the true life of a teen, through angst and alienation, over the years he taught many generations about the struggles of puberty and the stereotypes and cliques of youth. His constant use of misfits and underdogs helped support and entertain generations to come and help educate those that feel alinated themseleves that its okay and everyone goes through it, his films will go on to be legandary for years to come and will continue to help and entertain the audience, giving them hope with his witty and uplifting films, and happy endings, Hughes will remain to be one of the best directors of his time and the king of teen cinema.